{"id":44844,"date":"2024-08-05T17:17:10","date_gmt":"2024-08-05T17:17:10","guid":{"rendered":"https:\/\/dev2024.spyder.datacolor.eu\/spyder\/?p=44844"},"modified":"2024-08-06T10:25:46","modified_gmt":"2024-08-06T10:25:46","slug":"spotlight-on-alex-buisse","status":"publish","type":"post","link":"https:\/\/www.datacolor.com\/spyder\/blog\/spotlight-on-alex-buisse\/","title":{"rendered":"Spotlight On \u2013 Alex Buisse"},"content":{"rendered":"

[vc_row][vc_column][vc_single_image image=”44845″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Mountain guide and extreme skier Vivian Bruchez on the airy abseil from Dent du G\u00e9ant at sunset, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_column_text css=”.vc_custom_1722939862177{margin-bottom: 20px !important;}”]How did you get your start in photography? <\/strong>[\/vc_column_text][vc_column_text css=””]I picked up photography in my early twenties, right at the same time as I was discovering climbing. I was initially carrying a very simple point and shoot camera and remember being so frustrated at the disconnection between the amazing scenes I was witnessing on my climbing adventures and the lackluster images I was bringing back. I started paying more attention to the photography part, eventually carrying a DSLR on most trips, which in turn motivated me to go on bigger and further mountain adventures. A few years later, after quitting my career in computer science, I turned full time professional photographer.[\/vc_column_text][vc_empty_space][vc_single_image image=”45005″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Two paragliders next to Montenvers after having flown over Vall\u00e9e Blanche, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_single_image image=”44855″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

A skier contemplates the famous Vall\u00e9e Blanche from the bottom of the Aiguille du Midi ridge, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_single_image image=”44875″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Two climbers look toward Italy on Col du Tour Noir, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1722939868881{margin-bottom: 20px !important;}”]What type of photography are you shooting and what motivated you to focus on that genre? <\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1722939873667{margin-bottom: 20px !important;}”]My first love and what I am most known for is adventure photography in all its diversity: mountaineering, paragliding, mountain biking, trail running, sailing, BASE jumping\u2026 I practice most of these sports (with the notable exception of BASE jumping) to varying levels, and I think this is a crucial part of being an adventure photographer. Being able to competently access wild places and more or less keep up with the athletes I am shooting is absolutely key in being able to tell these stories.[\/vc_column_text][vc_column_text css=””]Over the past five years, I have also begun working in humanitarian photography, especially refugee and development stories. It was really important for me to find ways to diversify my subject matters and the ways I tell stories. It helps me bring a slightly more commercial and polished look to humanitarian stories, and in turn a more human focused look in my adventure work.[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/3″][vc_single_image image=”44985″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Mich Kemeter freesolo climbs (without a rope) the last pitch of Marches du Temps, 300 meters above the floor of the Verdon Gorges, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”44995″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Jen Olson climbs the second pitch of the classic “Lau Bij” frozen waterfall at night, Cogne, Italy. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_single_image image=”44925″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

A lone figure in Pokalde Base Camp stands in front of Ama Dablam shrouded in mist, Khumbu, Nepal. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1722939885740{margin-bottom: 20px !important;}”]What has been your biggest achievement or obstacle along the way? <\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1722939889897{margin-bottom: 20px !important;}”]One of my proudest achievements is to have shot the cover of the famous Patagonia catalog, twice. Their approach to adventure storytelling and their love of photography was a big inspiration when I first picked up a camera. Another big achievement was photographing the 2016 Olympics in Rio. I was shooting a few events for French magazines but ended up photographing everything I possibly could. I shot 46,000 images during the Games! I was supposed to go to the 2020 Tokyo Olympics for the Sport Climbing Federation, but COVID-19 obviously changed those plans![\/vc_column_text][vc_column_text css=””]One of the biggest obstacles to making a living from photography is the constant need to reinvent oneself. There is no \u201creaching the top\u201d and being able to rest up there while the jobs come to you, you constantly have to think about how to make your work stand out and how to do something nobody else thought about. It is either very exciting or absolutely exhausting, depending on how I am feeling on a given day.[\/vc_column_text][vc_empty_space][vc_single_image image=”44945″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

A campsite for alpinists wanting to climb Giant’s Tooth, next to Marbled Needles, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_single_image image=”44915″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Nic Mullin descends from Aiguille du Plan towards Aiguille du Midi and Mont Blanc du Tacul, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_single_image image=”44865″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

A splitboarder skins up Glacier du G\u00e9ant in a windstorm, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1722939902149{margin-bottom: 20px !important;}”]Who and\/or what inspires you most? <\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1722939897370{margin-bottom: 20px !important;}”]A lot of my work has been inspired by the adventure photographers who came before me: Pierre Tairraz, Mario Colonel, Monica Dalmasso in Chamonix. Jimmy Chin, Galen Rowell, Cory Richards in the US.[\/vc_column_text][vc_column_text css=””]But more importantly, I have a giant debt to some of the great documentary photographers: David Burnett, Eric Bouvet, Nick Ut, Don McCullin, Chris Hondros, Carol Guzy and Tim Hetherington. More contemporary, I love and am very inspired by the works of Danielle Villesana, Kiliii Yuyan and Ismail Ferdous.[\/vc_column_text][vc_empty_space][vc_single_image image=”44955″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Two climbers on the summit of Marbled Needles admires the panorama of the East Face of Mont Blanc, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_single_image image=”44895″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

Aerial view of the Aiguilles de Chamonix at sunset, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][vc_single_image image=”44885″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

A team of refugee athletes walk home in Kakuma Refugee Camp, Kenya. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1722939909019{margin-bottom: 20px !important;}”]What is your approach? Is there anything in particular you try to achieve during a shoot (for example triggering certain feelings, etc.) or are there any specific techniques you use? <\/strong>[\/vc_column_text][vc_column_text css=””]My guiding principle is to focus on the emotions felt by whoever I am photographing. Nowadays, I am much more interested in the human side of any adventure than in the extreme moves or the peak of the action.[\/vc_column_text][vc_empty_space][vc_single_image image=”44975″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

A rope team ascends Aiguilles d’Entr\u00e8ves, while Val d’Aosta is engulfed by clouds, Chamonix, France. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1722939915860{margin-bottom: 20px !important;}”]Why is accurate color important within your workflow? <\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1722939919867{margin-bottom: 20px !important;}”]It is very important to me to have a scene be as honest and authentic as I remember it. I also use color a lot in my compositions, to bring focus on what I want people to pay attention to.[\/vc_column_text][vc_column_text css=”.vc_custom_1722939924893{margin-bottom: 20px !important;}”]In my adventure work, I frequently shoot in the high alpine, which can be quite monochromatic between snow, sky and rock. Any touch of color will stand out, so it is doubly important that these colors are perfectly accurate.[\/vc_column_text][vc_column_text css=””]Alex uses a SpyderX<\/a> to keep his colors under control.[\/vc_column_text][vc_empty_space][vc_single_image image=”44965″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””]<\/p>\n

A team of adventure racers cross the huge Tyndall Glacier on day 1 of the 2013 Patagonian Expedition Race, Torres del Paine, Chile. <\/em><\/p>\n

[\/vc_column_text][vc_empty_space][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1722939929903{margin-bottom: 20px !important;}”]Any tips or advice for photographers just beginning their career? <\/strong>[\/vc_column_text][vc_column_text css=””]I would recommend shooting a whole lot, in every domain, until you find what you are really passionate about. And even then, keep shooting portraits even if all you want to be is a landscape photographer, or shoot cars, or food, or events. Not only will the practice help refine your eye, but you might get new ideas and insights about how to shoot your favorite subjects.[\/vc_column_text][vc_empty_space][vc_empty_space][vc_separator][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/4″][vc_single_image image=”44834″ img_size=”large” alignment=”center”][vc_empty_space][\/vc_column][vc_column width=”3\/4″][vc_column_text css=”.vc_custom_1722939935105{margin-bottom: 20px !important;}”]About the author \u2013 Alex Buisse <\/strong>[\/vc_column_text][vc_column_text css=”.vc_custom_1722939940041{margin-bottom: 20px !important;}”]Whether it is a runner focusing before an Olympic race, a refugee becoming the first of her community to receive a university degree or a climber looking up at the mountain he will measure himself against, emotions are the common thread, human and universal. Telling people stories with earnestness and honesty is what I strive to do every time I pick up a camera.[\/vc_column_text][vc_column_text css=”.vc_custom_1722939944692{margin-bottom: 20px !important;}”]I am grateful that photography has given me so many opportunities to live unique experiences. There are too many to list exhaustively, but highlights include sailing an expedition yacht around Cape Horn, being invited to an Ethiopian coffee ceremony in Dadaab Refugee Camp, photographing Usain Bolt at the Olympics, skiing to the North Pole, naming three (small) mountains in Greenland, adventure racing through Tierra del Fuego, climbing on K2 and getting winched from a rescue helicopter at night. I can’t wait to see what happens next![\/vc_column_text][vc_column_text css=””]Photography Type: Adventure, Landscape, Humanitarian[\/vc_column_text][vc_empty_space][vc_column_text css=””]<\/p>\n\n\n\n\n\n\n\n
Email:<\/td>\n\u200bpublic@alexbuisse.com<\/a><\/td>\n<\/tr>\n
Website:<\/td>\nhttps:\/\/www.alexbuisse.com<\/a><\/td>\n<\/tr>\n
Instagram:<\/td>\n@alexbuisse<\/a><\/td>\n<\/tr>\n
\u200b\u200bFacebook:\u200b<\/td>\n@AlexBuissePhotography<\/a><\/td>\n<\/tr>\n
\u200b\u200bTwitter:\u200b<\/td>\n@alexbuisse<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row][vc_column][vc_single_image image=”44845″ img_size=”large” alignment=”center”][vc_empty_space][vc_column_text css=””] Mountain guide and extreme skier Vivian Bruchez on the airy abseil from Dent du G\u00e9ant at sunset, Chamonix, France. [\/vc_column_text][vc_empty_space][vc_column_text css=”.vc_custom_1722939862177{margin-bottom: 20px !important;}”]How did you get your start in photography? [\/vc_column_text][vc_column_text css=””]I picked up photography in my early twenties, right at the same time as I was discovering climbing. I …<\/p>\n","protected":false},"author":3,"featured_media":44855,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[278,219],"tags":[423],"class_list":["post-44844","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blog","category-friends-with-vision","tag-alex-buisse"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/posts\/44844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/comments?post=44844"}],"version-history":[{"count":0,"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/posts\/44844\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/media\/44855"}],"wp:attachment":[{"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/media?parent=44844"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/categories?post=44844"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.datacolor.com\/spyder\/wp-json\/wp\/v2\/tags?post=44844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}