Capturing Stillness in Stills by Jess Santos
Friends with Vision photographer Jess Santos shares her views on stillness as both a photographic concept and as a personal experience that can be shared through the captured image. […]
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The Easiest Way to Color Coordinate Your Photo Shoot
ColorReader EZ makes it simple to color coordinate your photo shoot with Savage Universal backgrounds. See for yourself in this segment from The Slanted Lens. […]
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Questions for Olga Zeeb
Olga Zeeb, 3rd place winner in our #BringingColorIntoYourLife photo competition for autumn 2020, talks about how she became interested in photography and what fascinates her about animal photography in particular. […]
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Storytelling Through Imagery by Olivia Bossert
They say every picture tells a story, but there’s a real art to true visual storytelling. Friends with Vision, Olivia Bossert, shares how she added depth to her images by creating them with a clear story in mind.[…]
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Questions for Hans Wichmann
Hans Wichmann, participant in the #BringingColorIntoYourLife photo competition in autumn of 2020 and 1st place winner, talks about how he came to photography and what fascinates him about it. […]
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The Alps – A high mountain range in the process of change
Lorenz Andreas Fischer recently published his book entitled "Alps - A High Mountain Range in the process of change"(German title: „Alpen – Ein Hochgebirge im Wandel“), which contains not only photos, but also scientific information. We asked our Friend with Vision to give us an insight into his work on this great book and offer you a preview in pictures.[…]
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Spotlight On – Klaus Wohlmann
Klaus Wohlmann is a photographic artist. To him, photo art means reaching another, deeper level of photography and creating a connection to the subject.[…]
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Datacolor Friends with Vision photographer Chris Martin Scholl – Interview in German DOCMA Magazine
In an interview with DOCMA magazine this summer, Chris Martin Scholl noted his creative philosophy. For him, the creative process is complete only when the printed picture is in his hands and he continues to create what Americans call the "Body of Work", i.e., a haptic collection of his images. […]
